NEWS
FLASHER SIGN TO DOMINO, SHARE NEW SONG 'SKIM MILK'
Flasher | 08/03/18

Since they appeared with their self-titled, self-released EP back in 2016, Washington, DC trio Flasher has exuded both clarity of intent and radiant self-confidence. Critically applauded from the start, that initial release offered a clear blueprint. By turns razor sharp and woozy, skipping from shoegaze to punk and back again, it offered confirmation of a band whose wiry energy and melodic ease made them instantly arresting.
Today, Flasher announce their signing to Domino. They've also shared a new video and song, the exhilarating ‘Skim Milk’. The band describes the song and video below:
“The themes in ‘Skim Milk’ and its video might be described as being haunted by your own desire for belonging. We’re not bemoaning “no future, no fate”, we’re advocating for it. From getting a mortgage, to going to college, to crafting public policy, folks are always telling you to think of your future, to make choices in the name of some future. But most folks don’t have the privilege to live outside the present. This kind of future tense, aspirational bullshit means being held hostage by a future that’s already abandoned you. We’d rather escape to something new and unknown than hold out for a good life that hates us and expects us to make lemonade out of miserableness. Instead of holding out and hanging on, we're here to tell you (and ourselves) - “go.””
Flasher are Taylor Mulitz (guitar), Daniel Saperstein (bass) and Emma Baker (drums).
Flasher North America tour dates
Wed. March 14 - Adhoc Unofficial SXSW Day Party @ Cheer Up Charlies (1:45 PM)
Thu. March 15 - Brooklyn Vegan Unofficial Day Party @ Cheer Up Charlies (TBD)
Thu. March 15 - Event DC eSports + Music Showcase @ Antone’s (8:00 PM)
Thu. March 15 - Levitation Fest Official SXSW Showcase @ Hotel Vegas (9:15 PM)
Sat. Mar. 17 - Mesa, AZ @ The Underground w/ Ought
Sun. Mar. 18 - Santa Ana, CA @ Constellation Room w/ Ought
Mon. Mar. 19 - Los Angeles, CA @ Teragram Ballroom w/ Ought
Tue. Mar. 20 - San Francisco, CA @ The Independent w/ Ought
Thu. Mar. 22 - Portland, OR @ Mississippi Studios w/ Ought
Fri. Mar. 23 - Seattle, WA @ Chop Suey w/ Ought
Sat. Mar. 24 - Vancouver, BC @ The Cobalt w/ Ought
Mon. Mar. 26 - Calgary, AB @ Palomino Smokehouse w/ Ought
Tue. Mar. 27 - Saskatoon, SK @ Amigos w/ Ought
Thu. Mar. 29 - Winnipeg, MB @ The Good Will Social Club w/ Ought
Fri. Mar. 30 - Minneapolis, MN @ 7th St. Entry w/ Ought
Sat. Mar. 31 - Madison, WI @ High Noon Saloon w/ Ought
Mon. Apr. 2 - Columbus, OH @ Ace of Cups w/ Ought
Tue. Apr. 3 - Milvale, PA @ The Funhouse at Mr. Smalls w/ Ought
Sun. Apr. 15 - Boise, ID @ Knitting Factory w/ The Breeders
Mon. Apr. 16 - Salt Lake City, UT @ The Grand at The Complex w/ The Breeders
Wed. Apr. 18 - Denver, CO @ Ogden Theatre w/ The Breeders
Thu. Apr. 19 - Albuquerque, NM @ Sunshine Theater w/ The Breeders
Wed. Apr. 25 - Birmingham, AL @ Iron City w/ The Breeders
Mon. Apr. 30 - Brooklyn, NY @ Brooklyn Steel w/ The Breeders
Fri. July 20 - Seattle, WA @ Capitol Hill Block Party
Stay tuned for more Flasher announcements coming soon.
JON HOPKINS ANNOUNCES NEW ALBUM, SINGULARITY, OUT 4TH MAY
Jon Hopkins | 06/03/18

Domino is very proud to mark the return of Jon Hopkins and his new album, Singularity, his first since 2013’s breakthrough, Immunity. Singularity is due for release on 4th May 2018. Along with news of Singularity, Hopkins has shared ‘Emerald Rush’ the first track to be released from the album. Listen to the track and watch the animated video, directed by Robert Hunter & Elliot Dear HERE.
Watch the video for ‘Emerald Rush’ HERE.
Listen to ‘Emerald Rush’ on streaming services HERE.
In addition to news of Singularity, Hopkins has announced a run of live dates across the UK & Europe with US dates to be announced shortly. He will also be making a number of festival appearances in 2018.
Singularity begins and ends on the same note: a universe beginning, expanding, and contracting towards the same infinitesimal point. Where Immunity – his hypnotic breakthrough LP – charted the dark alternative reality of an epic night out, Singularity explores the dissonance between dystopian urbanity and the green forest. It is a journey that returns to where it began – from the opening note of foreboding to the final sound of acceptance.
Shaped by his experiences with meditation and trance states, the album flows seamlessly from rugged techno to transcendent choral music, from solo acoustic piano to psychedelic ambient. Its epic musical palette is visceral and emotionally honest: with a destructive opener full of industrial electronics and sonic claustrophobia and a redemptive, pure end on solo piano.
Exploring the connectivity of the mind, sonics and the natural world, Singularity reflects the different psychological states Hopkins experienced while writing and recording. It is a transformative trip of defiance from his initial sense of frustration at the state of the contemporary world to the ultimate conclusion that a true sense of peace and belonging can only come from nature.
Singularity is intended to be listened to in one sitting, as a complete body of work.
Singularity tracklist
Singularity
Emerald Rush
Neon Pattern Drum
Everything Connected
Feel First Life
C O S M
Echo Dissolve
Luminous Beings
Recovery
Singularity (WIG352) will be released on special edition double gatefold coloured LP with photographic print, standard LP, CD and digitally. You can also pre-save the album on Spotify here.
Pre-order Singularity now: Deluxe LP / Deluxe CD / LP / CD / Digitally
JON HOPKINS SINGULARITY LIVE TOUR 2018
10.10 - Rockefeller – Oslo
12.10 - Den Grå Hal - Copenhagen
18.10 - Vicar Street – Dublin
19.10- SWG3 – Glasgow
20.10 - Paradiso for ADE – Amsterdam
24.10 - Ancienne Belgique – Brussels
25.10 - Astra – Berlin
26.10 - Le Trianon – Paris
02.11 - Brixton Academy – London
17.11 – Boiler Shop – Newcastle
22.11 – Albert Hall - Manchester
JON HOPKINS SINGULARITY FESTIVAL & DJ APPEARANCES 2018
30.03 - Invisible Wind Factory – Liverpool (DJ Set)
06.04 - Ääniwalli – Helsinki (DJ Set)
07.04 - Sónar İstanbul – Istanbul (DJ Set)
19.05 – Festival of Disruption – New York
25.05 - Villette Sonique – Paris
26.05 - Department – Stockholm (DJ Set)
02.06 - Primavera – Barcelona
09.06 - Park Life – Manchester
15.06 - Maifeld Derby – Mannheim
23.06 - Body & Soul - Co.Westmeath
29.06 - Down The Rabbit Hole – Ewijk
30.06- ASTRO Festival – Milan
11.07 - DOUR Festival – Dour
13.07 - Melt! Festival – Ferropolis
14.07 - Lovebox Festival – London (DJ Set)
15.07 - Latitude Festival - Henham Park
20.07 - Colours Of Ostrava – Ostrava
26.07 - WWW K - Tokyo
26-27.07 - Fuji Rock Festival - Niigata
03.08 - OFF Festival – Katowice
04.08 - Wilderness Festival - Cornbury Park
31.08 - Dimensions Festival – Pula
All tickets for UK and European solo shows will be available on general sale Friday 9th March at 10am via http://jonhopkins.co.uk
Jon Hopkins online: Website | Facebook | Twitter | Instagram
THE KILLS UNVEIL NEW SINGLE; “LIST OF DEMANDS” OUT TODAY
The Kills | 01/03/18

For their latest attack, the Domino artists The Kills re-wired the circuits of Saul Williams’ “List of Demands (Reparations)” to create a wounded, volcanic, and urgent anthem. An opaque but powerful litany that could incite the most apathetic to action, a wake-up call capable of being interpreted as personal or political. The song comes backed with a dazzling cover of Peter Tosh’s “Steppin’ Razor”. Artwork for the single was created especially for the release by Shepard Fairey.
The greatest duos teeter on the cliff’s edge between chaos and equilibrium, salvation and obliteration, 10,000-watt voltage and gothic darkness. For a decade and a half, The Kills have mastered that savage balance, unleashing artful detonation and subtle vocal and guitar violence. That’s five albums and four EPs where Alison Mosshart and Jamie Hince reimagined the possibilities of modern duality—alchemizing garage rock, punk, and blues into smoke clouds, psychic carnage, and a smoldering nocturnal slink. A northwest passage between Outkast and Suicide.
WATCH THE VIDEO FOR “LIST OF DEMANDS” HERE
(directed by Ben Strebel)
“It’s a song of strength and empowerment, rooted in the idea of rising above,” Mosshart says. “It was one of those songs you’re almost scared to cover, because it carries so much respect. It wasn’t a straight up love song or a drug song. It was defined, serious, and perfect already. With certain songs, you feel like an intruder trying to sing them, but this one felt like my own.”
You can only cover a classic by successfully re-inventing it from the foundation up. In this instance, Mosshart and Hince slowed down Williams’ blistering post-punk and quasi-rap testament to political courage, to something resembling slightly sped-up dub—full of booming drums, gorgeous negative space, and Mosshart’s concealed dagger yawp.
The Williams original carried a special resonance after becoming one of the backstage jams regularly played before Kills’ shows. The banger you play to hype yourself prior to getting on-stage and trying to conquer the world. Williams’ lyrics brilliantly double as self-motivational propulsion and a poetic indictment of various iniquities. It’s somehow vague enough to allow for any application, but it’s as personal as blood dripping on a ransom note.
Decamping to the legendary Sunset Sound in Hollywood with producer Chris Coady, The Kills recorded both songs in three days. Until they entered the studio, they’d never sat down and played either. It took myriad approaches at varying tempos—searching for the right groove they found it. Only when they slowed it down to double time did the new haunting melody emerge.
“List of Demands” was so impactful to us—it was the kind of song that would come on backstage and everyone would stop what they were doing and stand up, “ Hince says. “The more I found myself listening to the lyrics, the more I heard in them, and found myself singing along with goose bumps. The brilliant thing about it is that it speaks to so many different ideas—a true underground thing like the best Iggy Pop songs.”
Saul Williams returned the compliment, waxing rhapsodically about The Kills’ tribute. “I always felt envious of the way the 60's generation shared songs and ideologies. Jimi singing Dylan. Rotary Connection singing Otis Redding. The Stones singing the blues,” Williams said. “This is all part of the beauty and power of music and it reverberates deeply in me. All this to say, I'm honored. I liked The Kills before they chose to cover ‘LOD.’ If they can feel themselves in that song, it's because they are as much a part of it as I am.”
It’s an affirmation of the profound meaning that a song can inhabit, particularly in times of turmoil and duress. The Kills channeled those past nexuses, creating a new form from biblical material, another attack on complacency, a tribute to the joys of flux, a transmission that carries on the unwavering belief that some things must change.
Artist Shepard Fairey, whose striking image was created for the single’s sleeve art, says, “I've been a fan of The Kills for years, and I initially loved them because I can't say no to great garage rock with attitude, grit, and a vocalist in Alison Mosshart with a ridiculous amount of heart and soul. In recent years though, they've turned into even more than that. They’re now great songwriters who have stayed true to their roots but also expanded their musical palette. When Alison and Jamie approached me about doing the art for the song “List of Demands” and shared their version of the song, I was excited both because I love their version of the song, and I think it's a song that makes sense for the state of things in the world right now. We need music that speaks to the struggles of the average person in the face of oppressive powers. The art I created was meant to reflect the sentiment of the song and the idea that people have power in numbers and are looking back at those in power with their hands up, making their demands. The do-it-yourself spirit of punk rock and activist propaganda influenced the art and design."
The Kills have announced upcoming US shows, with all going on sale tomorrow. Saul Williams will join The Kills for the LA show in August, and as their very special guest will play a full set prior to The Kills taking the stage. The band will be returning to London, supporting Foo Fighters at the Olympic Stadium on Saturday the 23rd of June. See below for worldwide dates. Get your tickets from: http://thekills.tv/
Monday May 14 || Lincoln Theater || Washington DC *
Tuesday May 15 || Union Transfer || Philadelphia, PA *
Monday June 4 || Kosmonavt || St Petersberg, Russia
Wednesday June 6 || Glavclub || Moscow, Russia
Saturday June 9 || Best Kept Secret || Hilvaranbeek, Netherlands
Sunday June 10 || Trabrennbahn Bahrenfeld || Hamberg, Germany **
Wednesday June 13 || Stadt de Suisse || Berne, Switzerland **
Thursday June 14 || Firenze Rocks || Florence, Italy **
Sunday June 17 || Maifeld Derby Festival || Mannheim, Germany
Saturday June 23 || Olympic Stadium || London, UK **
Monday June 25 || In Music Festival || Zagreb, Croatia
Friday June 29 || Volt Festival || Budapest, Hungary
Saturday June 30 || Aerodrome Festival || Prague, Czech Republic
Monday August 13 || Regent Theatre || Los Angeles, CA ***
Tuesday August 14 || Glasshouse || Pomona CA
Wednesday August 16 || Belly Up Club || Aspen, CO
* with Dream Wife
** with Foo Fighters
*** with Saul Williams
The Kills’ last release was their much-lauded June 2016 album Ash & Ice, which spawned the singles “Doing It To Death” and “Heart Of A Dog”. The band toured the album for 18 months performing at multiple festivals, including Coachella and David Lynch’s Festival of Disruption, and performed on The Tonight Show with Jimmy Fallon, The Late Show with Stephen Colbert, Jimmy Kimmel Live, The Late Late Show with James Corden and Conan. They appeared in the recent Nashville episode of Anthony Bourdain’s Parts Unknown on CNN, in which Alison toured Nashville with Bourdain before the band played a song live for a scene in the show.
ALEXIS TAYLOR ANNOUNCES NEW ALBUM 'BEAUTIFUL THING'
Alexis Taylor | 19/02/18

Beautiful Thing, the forthcoming solo album from Alexis Taylor will be released on April 20th via Domino. It is a very new, very individualist and – yes – very beautiful reflection of a life that's changed immeasurably since Alexis first started out in music. This is a musician, writer and singer who has carved his own unique path through the music of the 21st century, completely avoiding getting trapped along the way in dumb oppositions of pop vs avant-garde, dancefloor vs intellect, retro vs modernist and so on. He has worked with living legends from major pop stars to free improvisors in the furthest left field, played huge arenas and tiny clubs without ever privileging one over the other, and through all of it, never stopped listening and learning. All of this accumulated experience is put to work on Beautiful Thing in pursuit of something subtle and elusive but ultimately quite profound and beautifully human.
Taylor’s fourth album also represents the first time Alexis has made a solo album with a producer, that producer being Tim Goldsworthy, co-founder of Mo Wax and DFA Recordings and member of UNKLE.
Today, Alexis is pleased to share the video for the album’s title track and the track that kick-started the recording process with Goldsworthy. With ‘Beautiful Thing’, Alexis combines experimental, clattering noises with crazed, disco lavishness and bug-eyed acid house momentum to create something giddy and glorious. The video, directed by Edwin Burdis, is a suitably compelling counterpart.
Watch the video for ‘Beautiful Thing’ here. Stream here.
The upcoming record is a bold and confident step forward for Alexis both sonically and in terms of his songwriting abilities. It has electronic thrills, dark spaces, memories of dancefloors, heartfelt writing; it's composed, it's improvised, it's accidental, it's strange, but it's also very immediate. It is a beautiful thing itself: a moving, modern and unique sounding long-player, to get lost in on repeated deep listens.
Beautiful Thing is available to pre-order on deluxe heavyweight gatefold vinyl (with 3 bonus tracks), gatefold vinyl, CD and digital download. Pre-order: Dom Mart | Digital
Album tracklisting:
- Dreaming Another Life
- Beautiful Thing
- Deep Cut
- Roll on Blank Tapes
- Suspicious of Me
- A Hit Song
- Oh Baby
- There’s Nothing To Hide
- I Feel You
- Out of Time
Additionally, Alexis has announced a run of tour dates in UK and Europe including London’s Omeara, where he will be playing accompanied by Susumu Mukai (aka Zongamin) on bass and Leo Taylor (The Invisible, Hot Chip) on drums.
Upcoming live dates
Tues 17th April – Fleece, Bristol Tickets
Wed 18th April – Ruby Lounge, Manchester Tickets
Thurs 19th April – Patterns, Brighton Tickets
Fri 20th April – Omeara, London Tickets
Tues 24th April – Bitterzoet, Amsterdam Tickets
Wed 25th April – Artheater, Cologne Tickets
Thurs 26th April – Badaboum, Paris Tickets
---
Alexis Taylor Online
STEPHEN MALKMUS & THE JICKS SHARE NEW SONG 'MIDDLE AMERICA'
Stephen Malkmus and The Jicks | 07/02/18
Today, Portland, OR’s Stephen Malkmus & the Jicks release new single ‘Middle America’ - the first new music to surface from the group since 2014.
Listen to ‘Middle America’ here.
On ‘Middle America’, Malkmus’s wry wordplay and sunny twang create an ode to underdogs everywhere, with bittersweet words of encouragement for the ramshackle character on their receiving end. Only SM & the Jicks can craft this kind of brightly low-key anthem, a perfect three-minute-thirty-second country-speckled gem about life’s questions big (the inevitable passage of time; aging) and small (getting shitfaced; blushing the color of Robitussin).
Stephen Malkmus & the Jicks will tour North America in the summer, hitting major markets including Chicago, Brooklyn, Philadelphia, Washington DC, Nashville, San Francisco, Seattle, and Portland. Fans can likely expect a further taste of new music, on top of the band’s beloved catalogue. Full tour dates below.
US Tour Dates:
1st June - St. Paul, MN - Turf Club
2nd June - Milwaukee, WI - The Back Room at Colectivo
3rd June - Chicago, IL - Thalia Hall
5th June - Columbus, OH - Ace of Cups
6th June - Pittsburgh, PA - Rex Theater
7th June - Cleveland, OH - Grog Shop
8th June - Detroit, MI - Magic Stick
9th June - Toronto, ON - Lee's Palace
11th June - Montreal, QC - Theatre Fairmount
12th June - Cambridge, MA - The Sinclair
14th June - Brooklyn, NY - Music Hall of Williamsburg
16th June - Philadelphia, PA - Theatre of Living Arts
17th June - Washington, DC - Black Cat
19th June - Carrboro, NC - Cat's Cradle
20th June - Athens, GA - The Georgia Theatre
21st June - Nashville, TN - Mercy Lounge
22nd June - Louisville, KY - Zanzabar
23rd June - Cincinnati, OH - The Woodward Theater
17th July - Petaluma, CA - Mystic Theatre
18th July - San Francisco, CA - Slim's
22nd July - Phoenix, AZ - The Crescent Ballroom
25th July - Austin, TX - The Mohawk
26th July - Houston, TX - White Oak Music Hall
27th July - Dallas, TX - Granada Theater
28th July - Tulsa, OK - The Vanguard
29th July - Kansas City, MO - Record Bar
31st July - Englewood, CO - Gothic Theatre
1st August - Salt Lake City, UT - Urban Lounge
3rd August - Vancouver, BC - Rickshaw Theatre
4th August - Seattle, WA - Neptune Theatre
5th August - Portland, OR - Star Theater
CROWS FEET ARE INGRAINED ON MY FACE: A TRIBUTE TO MARK E. SMITH
The Fall | 25/01/18

Crows Feet Are Ingrained On My Face
A tribute to Mark E. Smith by Richard King.
In 2010, following the success of the Von Südenfed record, it was agreed that Domino would release the next album by The Fall. I was charged with writing the biography for the release and was given a number to ring in order to speak with Mark E. Smith. Elena Poulou answered the phone and in the background I could hear a raucous noise I assumed to be the band rehearsing. Although this was unlikely as I was calling Mark and Elena at their home.
'Sorry,' Elena said as the noise increased in volume and now included laughter and animated shouting 'could you call tomorrow same time, it's not convenient'.
When I telephoned the next day Elena answered once again, apologised for the day before as Mark came briskly to the phone.
'Alright, yeah' he said 'we're going to get this record out. What’s taking so long?' Mark E Smith then chuckled and for the next ten minutes he spoke with the combination of politeness, indignation and occasional contrariness on which his reputation rested.
I asked him about the new album's opening track 'Bury Parts 1 & 3', 'I fucking hate the place' he said, as well as the album's closing number 'Weather Report 2' a song that shared an emotional tenderness and tone with 'Bill Is Dead' from the 1992 album Extricate.
'Well,’ he continued 'I really like the band at the moment and think it’s the best we've sounded. I mean I would say that but I mean it.'
The defining characteristic of 'Weather Report 2' and 'Bill Is Dead' is the rarely heard vulnerability in Smith's voice and a lyric in which he talks openly and dramatically about his life. There was a pause that indicated this brief moment of sentimentality was sufficient and that our conversation had now ended.
Your Future Our Clutter was well received and continued the momentum The Fall had regained at the turn of the century, when a run of strong releases, the renewed interest in Post Punk and their discovery by a new generation led to one of their most energetic and popular periods.
No one would ever doubt Smith's work ethic but by the late 1990s his well-documented behavioural problems, together with the sense of The Fall operating on a treadmill of contractual obligations and cash in hand reissues had curdled his doggedness. Some of the records from this period such as Levitate and The Marshall Suite are eerie in a way few other Fall records are eerie. On them Smith sounds under resourced, both financially and emotionally, to resist his investiture as an Indie National Treasure. A situation he clearly finds intolerable. The productivity rate of the prole art threat had by now threatened the band’s future. At the concert I attended at Dingwalls in '98 the band played as a trio of Smith, Julia Nagle and a drummer, Kate Themen. For ten minutes towards the end the choreographer Michael Clarke joined them on bass. Many present found the performance riveting, but I suspect most assumed they had witnessed the band's final London concert.
Parts of their subsequent survival lie in the regard and mystique with which The Fall were held outside the UK. In the record shop I worked in almost twenty-five years ago, I came close to convincing a young Will Oldham to part with a portion of his fee from the previous night's concert for a mint copy of Fall In A Hole. On a visit to the Domino office Bill Callahan once enquired about the merits of 1997's Levitate, a record very few people I knew had bothered listening to. And despite his regular criticism of the band, Pavement covered The Classical from Hex Enduction Hour for a Peel Session that year. Its inclusion moved the DJ to send the band a personal note of thanks.
It's not difficult to imagine how exotic the early Fall must have seemed to young people in America with enquiring minds. On the 1981 live album A Part Of America Therein, the band are introduced as being from the 'From the riot torn streets of Manchester, England'. The Fall's music of that era is as evocative of Britain in the early 1980s as any World In Action documentary. The lyrics to 'Winter' feature a 'cleaning lady', 'alcoholics dry out house', and a 'feminist Austin maxi with anti nuclear sticker'. The accompanying music is played by a band with a listlessness that, like much of the country at the time, is almost pathological.
The performance the band gave on the Peel session version of 'Winter' is particularly dramatic. On many of these recordings Smith's voice is often louder in the mix and the BBC studio arrangements clearly suited the band. Perhaps Smith was also aware how symbiotic the relationship between The Fall, the radio session and the DJ had become. These were sessions listened to by people who resisted the idea of Smith as an avuncular curmudgeon. They saw him more as an avant-garde Johnny Cash: a man in a black leather jacket and the same neat haircut who was incapable of stopping and whose eyes had become ingrained with crow's feet at an early age. Someone who lived by their wits and was well aware they were sharper and more resilient than those of his contemporaries.
Three years ago I invited Smith to do a Q&A at the stage at Green Man Festival I was then curating. He and the band arrived backstage in their usual manner, in a vehicle branded in the livery of Salford Van Hire. For two hours they sat in the sunshine decompressing from the journey down, laughing and drinking but not to excess, merely enjoying the moment.
When it was time for Smith to take the stage I led him to the side entrance. His right arm shot out with an involuntarily spasm.
'Fucking hell' he whispered 'I didn't know it was this big, can you get us a beer?' I duly passed him a can that he downed in one, before strutted on to the stage with a theatrical sniff and his usual swagger. He received an ovation from the nine hundred people gathered there to see him and for a brief moment a smile cracked across his face. The interview was sponsored by the music magazine Mojo and consisted of questions sent in from its readers. For the next 50 minutes he held forth on matters that provoked his ire: music magazines, Mojo in particular, festivals, Stewart Lee and matters he found inspiring, including Ultramagnetic MCs and Methodism.
Fantastic Life.
SUPERORGANISM ANNOUNCE DEBUT ALBUM DETAILS, RELEASED 2ND MARCH 2018
Superorganism | 03/01/18

Superorganism, one of 2018’s most hotly tipped new artists, today announce full details of their highly anticipated debut album. The eight piece band - a sprawling, multi-limbed collection of international musicians and pop culture junkies who have been shortlisted in the BBC Sound Of and VEVO dscvr polls among others – will release their self-titled debut on 2nd March via Domino.
Self-produced, written and recorded in the east London house-stroke-studio-stroke band HQ they all share together (imagine a squat version of the Brill Building, or a lo-fi, DIY take on Max Martin’s Cheiron studio), Superorganism is a spectacularly confident debut record that beams with a sense of wonky fun, a kaleidoscopic riot of sound and visuals. Influenced by the world-building depth of artists like Devo, Beck and The Avalanches, Superoganism soundtrack’s the band’s rapid trajectory from shared house side project to global audiovisual powerhouse and features previous singles ‘Something For Your M.I.N.D.’ and ‘It’s All Good / Nobody Cares’ as well as their brand single ‘Everybody Wants To Be Famous’.
Revealed today for the very first time, ‘Everybody Wants To Be Famous’ is accompanied by a stunning video from Superorganism’s very own Robert Strange and can be watched right now below.
Superorganism track list:
01 It’s All Good
02 Everybody Wants To Be Famous
03 Nobody Cares
04 Reflections On The Screen
05 SPRORGNSM
06 Something For Your M.I.N.D.
07 Nai’s March
08 The Prawn Song
09 Relax
10 Night Time
Superorganism formats:
* Standard LP – Gatefold LP, single vinyl, four page booklet, DL card
* Deluxe LP – Glow in the dark gatefold, single vinyl, four page booklet, DL card
* Deluxe CD – Mini gatefold with 16 page booklet
* Standard CD – Jewelcase with 16page booklet
* Digital Download + Spotify Pre-save
Meanwhile, Superorganism will be taking their acclaimed live show on the road throughout 2018, including extensive UK, European and north American headline tours. The full dates are below, including a London headline show at the 1000 capacity Oval Space on 8th March, with further information available from http://www.wearesuperorganism.com/#tour
Superorganism Live
JANUARY
Fri 19 Netherlands, Groningen, Eurosonic
FEBRUARY
Thu 15 United Kingdom, London, The Jazz Café
Sun 18 France, Paris, Café de la Danse
Mon 19 Belgium, Brussels, Botanique - The Rotonde
Tue 20 Netherlands, Amsterdam, Sugar Factory
Thu 22 Germany, Cologne, Die Kantine
Fri 23 Germany, Berlin, Festsaal Kreuzberg
Sun 25 Denmark, Copenhagen, Vega Small Hall
Mon 26 Sweden, Stockholm, Kagelbanan
MARCH
Fri 02 Norway, Oslo, by:Larm
Sat 03 Norway, Oslo, by:Larm
Mon 05 United Kingdom, Birmingham, Institute 2
Wed 07 United Kingdom, Manchester, Gorilla
Thu 08 United Kingdom, London, Oval Space
Fri 09 United Kingdom, Brighton, The Haunt
Sun 11 United Kingdom, Glasgow, CCA: Centre for Contemporary Arts
Mon 12 United Kingdom, Leeds, Belgrave
Mon 19 USA, Los Angeles, Echoplex
Tue 20 USA, San Francisco CA, Rickshaw Stop
Thu 22 USA, Portland OR, Doug Fir Lounge
Fri 23 USA, Seattle WA, Barboza
Mon 26 USA, Minneapolis MN, 7th Street Entry
Tue 27 USA, Madison WI, The Frequency
Wed 28 USA, Chicago IL, Schubas Tavern
Fri 30 Canada, Toronto ON, The Mod Club
Sat 31 Canada, Montreal QC, Belmont
APRIL
Sun 01 USA, Boston MA, Brighton Music Hall
Tue 03 USA, Washington DC, Rock & Roll Hotel
Wed 04 USA, Philadelphia PA, Boot & Saddle
Thu 05 USA, Brooklyn NY, Music Hall Of Williamsburg
JUNE
Sat 02 Ireland, Dublin, Royal Hospital Kilmainham
JULY
Fri 13 – Sun 15 Germany, Crafenhaimichen, Melt Festival
AUGUST
Tue 07 – Sat 11 Norway, Oslo, Øyafestival 2018
WILD BEASTS ANNOUNCE DOMINO DOCUMENTS ALBUM LAST NIGHT ALL MY DREAMS CAME TRUE FOR FEB 16TH
07/12/17

When Wild Beasts announced that they would be calling it a day, the news came with an unusual absence of drama. There were no bust-ups or breakdowns to report, no warring words, not even a trace of the trademark “creative differences”. Instead there was a dignified and heartfelt message to their fans that explained that the band had run its course.
For those who’d watched the Cumbrian group grow from purveyors of peculiar guitar pop into one of the most inventive and important bands of their generation, the news came as a shock. Weren’t they just hitting the peak of their powers? Perhaps that was the point.
“I think there's a life cycle with any band,” says Hayden Thorpe. “It reaches a point where the snake begins to eat its tail. Our last album, ‘Boy King’, felt just like our first record in many ways – in its fuck you spirit, in its sense of self-destruction.”
Wild Beasts will play their final ever shows in February next year, and we bid the band a bittersweet farewell with Last Night All My Dreams Came True – a live studio album to be released on February 16th via Domino Documents.
Last Night All My Dreams Came True is a career-spanning collection and features songs from each of Wild Beasts’ studio albums with an emphasis on Boy King, their most direct record yet. Looking back on Wild Beasts’ back catalogue and the themes they tackled, there is a sense of prescience – toxic masculinity, gender fluidity, the conflicts surrounding class, politics and art were no bandwagon jumps, often becoming hot topics in the media several years after they’d been eloquently dealt with on record.
Today, we are pleased to share ‘The Devil’s Palace’, a rarely-played track that blends ‘The Devil’s Crayon’, from the quartet’s debut Limbo, Panto, and ‘Palace’, from 2014’s Present Tense. An exclusive for the record, it showcases the vocal interplay between Thorpe’s falsetto and Tom Fleming’s baritone perfectly.
Recorded in two days over the summer at RAK Studios, Last Night All My Dreams Came True is the second official Domino Documents release and has more than fulfilled the Domino Documents aim to capture a band at the height of their powers, recording a selection of their finest songs.
“It’s us as tight and slick as we ever have been,” adds Tom. “And it’s also us giving the fewest fucks we've ever given. There’s a sense of celebration and destructiveness combined, a sense that the fetters are off. Not that they were ever on ... but that sense of limited time before you shuffle off is very much a motivator.”
And make no mistake; this is the last time Wild Beasts will be doing such things. This is no hiatus and there are no crafty eyes on a future reunion. “We get to leave our desk by our own accord,” concludes Hayden, “and that makes us very lucky. Whoever gets to do that?”
Tracklisting:
- Wanderlust (Live at RAK)
- Big Cat (Live at RAK)
- A Simple Beautiful Truth (Live at RAK)
- 2BU (Live at RAK)
- Bed Of Nails (Live at RAK)
- Hooting & Howling (Live at RAK)
- This Is Our Lot (Live at RAK)
- He The Colossus (Live at RAK)
- The Devil’s Palace (Live at RAK)
- Alpha Female (Live at RAK)
- Get My Bang (Live at RAK)
- All The King’s Men (Live at RAK)
- Celestial Creatures (Live at RAK)
Last Night All My Dreams Came True is available to pre-order on limited-edition coloured double LP, standard double LP, CD and digital. Pre-order: Dom Mart | Digital
JOB OPPORTUNITY: PARALEGAL / BUSINESS AFFAIRS ASSISTANT
05/12/17

Domino seeks a Paralegal / Business Affairs Assistant to join its Business Affairs department in our London office and working across both the record label and publishing company
Core Responsibilities Include:
- Supporting Head of Business Affairs as required
- Preparing artwork and video agreements, synchronisation, sample and lyric licenses, extension and variation agreements
- Responsible for third party agreements including producers, mixer, and featured artist agreements (including negotiating within prescribed limits)
- Coordinating management approvals and signing of agreements
- Updating licensing spreadsheets and arranging delivery of masters to external labels
- Working with the Business Affairs team to ensure files, templates and knowledge resources are properly maintained and kept up to date
- Managing ad hoc queries and researching points of law
- Working closely with other departments and artist management in relation to clearances
- Assisting on all other issues that contribute to the running of the Business Affairs department where appropriate
- Please note that the job description is not exhaustive and may vary in line with changes in the team’s objectives.
The ideal candidate will have:
- Experience of the music industry in a business affairs/legal capacity;
- Excellent attention to detail and a proven track record in negotiating and concluding deals in challenging environment;
- A law degree or legal background;
- Excellent drafting skills, with a keen commercial mind;
- The ability to communicate effectively with people at all levels of the business;
- The ability to work autonomously, think strategically and be proactive;
- Strong administrative, Microsoft Office, Excel, organisation and planning skills.
Please send a covering letter stating how you meet the requirements along with your CV to vacancy@dominorecordco.com before 6pm on Monday 18th December, 2017.
JOB OPPORTUNITY: ADMINISTRATIVE ASSISTANT
05/12/17

Domino seeks an Administrative Assistant to join its Business Affairs department in our London office working across both the record label and publishing company.
The role of the Administrative Assistant is to provide general administrative support for the Business Affairs team and reporting to the Business Affairs Manager.
Main responsibilities:
- Working closely with all members of the Business Affairs team and internal departments, including Finance and A&R
- Setting up and maintaining appropriate administration and contract management systems
- Handling internal queries on artist contracts and researching potential legal issues
- Managing broadcast and compilation agreements (with potential to increase this scope) including negotiation within prescribed limits and liaising with artist management
- Typing and amending correspondence and other documentation.
- Supporting the team by carrying out administrative tasks such as filing, photocopying and sending out documents
- Assisting the team in the management of the firm’s knowledge and information resources
Person specification:
- Excellent organisational skills and attention to detail
- Strong Microsoft Office, Excel and IT skills
- Ability to prioritise and manage multiple responsibilities
- Proactive and able work under pressure
- Legal or Business Affairs experience
- Experience within music industry preferred
- Salary: Please state your salary requirements.
- Please send a covering letter stating how you meet the requirements along with your CV to vacancy@dominorecordco.com before 6pm on Monday 18th December, 2017.
JOB OPPORTUNITY: PRODUCT MANAGER
24/11/17

Domino seeks a Product Manager to join its London team.
Product Managers at Domino are in charge of running artist campaigns inside the company.
The successful candidate will have significant experience in working closely with recording artists and their managers while a proven track record in devising and delivering creative and notable marketing campaigns is essential
The candidate should have a solid general knowledge of the music industry, the marketplace, the digital space and how this informs all aspects of marketing.
The role also includes being responsible for the creation of all campaign content - so the candidate will need to be confident in commissioning high quality music videos, remixes, artwork and all types of digital content / marketing assets.
Responsibilities include:
• Devising and implementing quality and highly creative marketing campaigns alongside the rest of the team, for a designated roster of artists.
• Delivering the campaign to the rest of the Domino global team.
• Formatting and origination of physical and digital releases and liaising with our distributer on all aspects of driving retail sales and retail marketing initiatives.
• Responsible for all content origination and commissioning and delivery of all video, audio and digital content, as well as marketing assets, to meet deadlines and relevant specs, liaison with management/licensors to ensure global co-ordination.
• Responsible for originating the overall timeline for the campaign and making sure the various deliverables are meeting designated deadlines.
• Making sure that all aspects of the campaign are communicated, objectives are set and followed up on by the wider Domino team, and in charge of getting input from the various members of the team on the project, including but not limited to A&R, Marketing/Digital Marketing, Promotions, International, Production, Digital Account Management.
• Managing of given budgets and liaising with the UK GM on budgets for all artists
Minimum 3 years appropriate experience.
Salary dependent on experience.
Please send a covering letter stating how you meet the requirements along with your CV to pmjob@dominorecordco.com before 5pm on Monday 11th December, 2017.
SORRY RELEASE DEBUT SINGLE ‘WISHED’ ON DOMINO
Sorry | 16/11/17

Sorry are a new London band centered around Asha Lorenz and Louis O'Bryen, two 19 year-old childhood best friends. Along with Lincoln Barrett (drums) and Campbell Baum (bass) Sorry have been making a name for themselves on London's underground circuit since 2015.
Although starting life with a conventional rock band set up, Sorry’s tastes are wide-ranging and reflect their age and omnivorous YouTube-era musical upbringing where rock, hip hop, noise, electronic soundscapes, grime and folk all sit side-by-side and without confusion. Accordingly, all these influences and more form the band's unique nascent musical universe - a bold, ambitious and at times irreverent canvas onto which the symbiotic intensity of Lorenz’s and O'Bryen's emotional and hyper-melodic songwriting is projected.
‘Wished’ is their debut studio recording and follows the recent self-release of Home Demo(ns) Vol. 1, an eclectic, homespun 13 track audio/visual mixtape. Recorded by Sean Oakley (Rick Rubin, Frank Ocean) and mixed by Andrew Savours (My Bloody Valentine), it is an enticing first document of the band's effortlessly emotive songwriting and command of atmosphere which will be familiar to anyone who has seen their visceral live shows so far, as well as a glimpse at in-studio production possibilities to be explored in their future work. ‘Wished’ will also be accompanied by a b-side, ‘Lies’ - set to arrive later this month. Both tracks will be packaged together on Sorry’s very first 7” vinyl release on Domino, available to pre-order here.
Sorry will embark on a full U.K. tour supporting South London’s psychedelic soul reinventors Childhood on 16 November - taking in Leeds, Dublin, Birmingham, Glasgow, Manchester, Brighton and London - before ending 2017 with their biggest headline show to date at Corsica Studios in London on 5 December. The evening will see the band curate a line up of artists, DJs and visual artists, including Middle England (live), DJ sets from Mica Levi and Glows, and poet Georgie Jesson, plus an exhibition from Flop / Spit Tease.
See Sorry at the following live dates:
16 November | Brudenell, Leeds*
18 November | The Grand Social, Dublin*
19 November | Hare and Hounds, Birmingham*
21 November | Broadcast, Glasgow*
22 November | The Dead Institute, Manchester*
27 November | Patterns, Brighton*
28 November | Scala, London*
5 December | Corsica Studios, London
*w/ Childhood
HOOKWORMS ANNOUNCE NEW ALBUM MICROSHIFT, OUT FEBRUARY 2ND 2018
08/11/17
Domino is very proud to present Microshift, the third album from Hookworms, due for release on February 2nd 2018. With the announcement of Microshift, the band share new track, ‘Negative Space’ – listen HERE. Along with new music, Hookworms will return to the live circuit with dates in both 2017 and in 2018 (a full list of dates and ticket links can be found below).
Microshift is the Leeds band's first new work in over 3 years and marks a seismic shift in their sound, dynamic, songwriting and production, whilst still bearing all the ferocious energy, intricate musicianship and bruised but beautiful song-craft of the previous releases which have quietly made them one of the UK's most revered young bands.
This is the band's third studio album technically but arguably the first in which the studio has been central to its creation. Pearl Mystic and second LP, The Hum were heavily informed by the band's live sound, Microshift on the other hand came to life in the studio, formed out of loops, modular synthesizer sequences, drum machines, homemade samples etc. which were jammed around and layered until the songs began to emerge. The band have also opened their writing to include collaborations with artists such as Richard Formby (on Opener), Christopher Duffin (on Boxing Day) and Alice Merida Richards (on Each Time We Pass).
Radiant, immersive and teeming with light, but still heavy and forceful - the music on Microshift acts as a very deliberate counter to some of the difficult topics the album's lyrics address. Death, disease, heartbreak, body image and even natural disaster are all present here but the overall effect these songs achieve is euphoric catharsis.
The album was written and recorded in full following a complete rebuild of the band’s Suburban Home Studio after the River Aire floods in Leeds in the winter of 2015 which devastated the studio. The band had an incredible response to a GoFundMe campaign and the subsequent help of volunteers over several months to rebuild the studio from nothing is a huge part of the band’s continued existence. Striving through the toughness, it is perhaps no surprise that the record is one of both defiance and darkness. “All of our records are to an extent about mental health,” comments MJ. “Largely this is an album about loss but also about maturing, accepting your flaws and the transience of intimacy”.
Hookworms are MJ, MB, JW, JN & EO.
Microshift will be available on deluxe limited edition LP (including orange colour vinyl, exclusive alternate artwork sleeve, and printed PVC outer sleeve plus bonus hand numbered screen print limited to 500), deluxe LP, standard LP, CD and download.
Pre order via:
Hookworms Tour Dates
2017
Friday 24th November – Hebden Bridge – Trades Club - TICKETS
Sunday 3rd December – Leeds – Community Room @ Brudenell Social Club - TICKETS
2018
Friday 23rd February – Liverpool – Invisible Wind Factory – TICKETS
Saturday 24th February – Brighton – Patterns - TICKETS
Sunday 4th March – Birmingham – Hare & Hounds - TICKETS
Friday 9th March - Manchester - The White Hotel - TICKETS
Saturday 10th March - Manchester - The White Hotel - TICKETS
Sunday 18th March – Newcastle – The Cluny - TICKETS
Saturday 24th March – London – Electric Brixton – TICKETS
Sunday 25th March – Sheffield – Picture House Social - TICKETS
FRANZ FERDINAND RELEASE NEW ALBUM ALWAYS ASCENDING ON FEBRUARY 9TH 2018
25/10/17

‘Always Ascending’ the new album from Franz Ferdinand, is being released by Domino on Friday the 9th of February. Nothing short of a rebirth, the album’s 10 songs are a triumphant recasting of the group, bursting with fresh ideas and vigorous sonic experimentation. You can listen to the first single, also titled ‘Always Ascending’ HERE and download or stream it HERE.
‘Always Ascending’ was recorded at RAK Studios, London and Motorbass in Paris, with the help of French producer extraordinaire Philippe Zdar (Cassius, Phoenix, The Beastie Boys), the mutual affection between band and producer seeping into every dazzling groove. ‘Always Ascending’ shows Franz Ferdinand broadening their palate, as exuberant as it is euphoric, creating a sound that singer, Alex Kapranos, refers to as “simultaneously futuristic and naturalistic.”
From the city which jointly played host to the album’s conception, the band will mark the announcement of ‘Always Ascending’ with a live streamed launch event at Paris’s Point Ephémère, to be broadcast from the Franz Ferdinand Facebook page from 8.30pm BST tonight, Wednesday October 25, during which the band will preview a selection of their new recordings.
‘Always Ascending’ is available to pre-order via iTunes and all DSPs now and will be available on CD, vinyl and ltd edition cassette via DomMart, with a special DomMart edition, featuring marbled blue and white vinyl, with a signed print and tote bag.
Franz Ferdinand are Alex Kapranos, Bob Hardy, Paul Thomson, Julian Corrie and Dino Bardot.
The tracklisting for ‘Always Ascending’ is as follows:
- Always Ascending
- Lazy Boy
- Paper Cages
- Finally
- The Academy Award
- Lois Lane
- Huck And Jim
- Glimpse Of Love
- Feel The Love Go
- Slow Don’t Kill Me Slow
The band are also announcing their forthcoming tour dates, including a show at London’s 02 Brixton Academy on Saturday the 24th of February, full worldwide dates are as follows:
Monday 4 December / Seattle, WA / Showbox Market
Tuesday 5 December / Vancouver, BC / Commodore (SOLD OUT)
Wednesday 6 December / Vancouver, BC / ommodore
Thursday 7 December / Portland, OR / Theater of the Clouds (947FM Portland DEC2REM)
Saturday 9 December / Pomona, CA / The Glass House
Sunday 10 December / Los Angeles, CA / The Forum (KROQ Almost Acoustic Christmas) (SOLD OUT)
Thursday 25 January / Tokyo, Japan / Shinkiba Studio Coast
Saturday 10 February / Galway, Ireland / Leisureland
Sunday 11 February / Dublin, Ireland / Olympia Theatre
Tuesday 13 February / Manchester, UK / Albert Hall
Wednesday 14 February / Nottingham, UK / Rock City
Friday 16 February / Newcastle, UK / 02 Academy
Saturday 17 February / Glasgow, UK / 02 Academy
Monday 19 February / Leeds, UK / 02 Academy
Tuesday 20 February / Birmingham, UK / 02 Academy
Wednesday 21 February / Bristol, UK / 02 Academy
Friday 23 February / Cambridge, UK / Corn Exchange
Saturday 24 February / London, UK / 02 Brixton Academy
Sunday 25 February / Brighton, UK / Dome
Tuesday 27 February / Paris, France / Zenith
Wednesday 28 February / Brussels, Belgium / Forest National
Thursday 1 March / Hamburg, Germany / Mehr! Theater
Saturday 3 March / Utrecht, Netherlands / TivoliVrendenburg
Sunday 4 March / Groningen, Netherlands / De Oosterpoort
Monday 5 March / Cologne, Germany / Palladium
Wednesday 7 March / Berlin, Germany / Tempodrom
Thursday 8 March / Warsaw, Poland / Stodola
Friday 9 March / Prague, Czech Rep. / Forum Karlin
Sunday 11 March / Zurich, Switzerland / Halle 622
Monday 12 March / Munich, Germany / Tonhalle
Tuesday 13 March / Vienna, Austria / Gasometer
Thursday 15 March / Bologna, Italy / Unipol Arena
Saturday 17 March / Madrid, Spain / La Riviera
Monday 19 March / Toulouse, France / Zenith
Tuesday 20 March / Montpellier, France / Zenith Sud
Wednesday 21 March / Lyon, France / Amphi 3000
Friday 23 March / Rennes, France / Liberte
Saturday 24 March / Caen, France / Zenith
Sunday 8 April / Toronto, ON / Rebel
Tuesday 10 April / Boston, MA / House of Blues
Wednesday 11 April / Washington, DC / 9:30 Club
Friday 13 April / Philadelphia, PA / The Fillmore
Monday 16 April / Brooklyn, NY / Brooklyn Steel
Friday 27 April / Minneapolis, MN First Avenue
Saturday 28 April / Kansas City, MO / The Truman
Monday 30 April / Milwaukee, WI / The Rave
Wednesday 2 May / St. Louis, MO / The Pageant
Monday 7 May / Dallas, TX / House of Blues
Tuesday 8 May / Houston, TX / White Oak Music Hall
Friday 11 May / Phoenix, AZ / The Van Buren
Sunday 13 May / San Diego, CA / North Park @ The Observatory
Tuesday 15 May / Los Angeles, CA / The Wiltern
Thursday 17 May / Oakland, CA / The Fox Theatre
Tickets for shows in Ireland, UK and Europe will be available to purchase from 9am on Friday the 3rd of November, Japan from the 11th of November and US and Canada from 10am local time October 27th. More information can be found on the band’s website: http://franzferdinand.com
SPINNING COIN DEBUT ALBUM PERMO RELEASED NOV 10TH VIA GEOGRAPHIC MUSIC
Spinning Coin | 06/09/17

Over the space of three years, two singles and countless gigs, including tour supports with Teenage Fanclub and Real Estate, Glasgow’s Spinning Coin have determinedly, and with single-minded purpose, made their music heard: beautifully rough-hewn guitar pop that takes in frustration, escapism, but also gracefulness and splendour, in equal measure.
The five-piece now announce that their debut album Permo will be released on November 10th via The Pastels’ Domino imprint, Geographic Music and have shared the video for new track ‘Sleepless’.
Recorded with Edwyn Collins at his AED Studios, and at Green Door Studio (the recording centre for the new wave of Glasgow artists) with Stu Evans, Permo is an album of bold steps and simple gestures, coming from a group who have found, seemingly effortlessly, a confident, unpretentious and egalitarian way of working together. Spinning Coin’s two songwriters - Sean Armstrong and Jack Mellin – oscillate taking centre stage on a song; Armstrong’s more melancholic melodies contrasting with Mellin’s urgent refrains.
The fourteen songs on Permo trace all kinds of terrain, though the overarching story might be that of a group looking for escapism, somehow and anyhow, in the midst of a social and cultural climate that’s closing down possibilities for difference and community.
It opens with the gorgeous ‘Raining On Hope Street’, an Armstrong song that was released on 7” earlier this year – there’s an undercurrent to the song, too, as Armstrong reflects that he wanted to write something “slightly spooky, ambiguous and open to interpretation”. ‘Tin’ follows, one of many Mellin songs that looks to the outside world and finds things wanting. “’Tin’ is trying to look at the two extremes of privilege and under-privilege,” he says. It’s a theme that Mellin returns to, with variation, over the course of the album – from the deceptively spry ‘Money Is A Drug’, whose flecks of country-soul charm conceals lyrics calling out ‘class war’ and ‘stupid rules’, through to ‘Powerful’, where Mellin takes on the possibilities of self-empowerment:
Spinning Coin write from lived experience, grounding their songs in an understanding that we’re all finding our way through the world, trying to figure out what the hell is going on out there. Armstrong takes on similar themes with ‘Starry Eyes’, and its blunt lines about how it’s not ‘the right time to celebrate, when people in the world are dying at the hands of the government’, but he also writes some of the album’s more peaceable songs, like the sleepwalking reverie of ’Metronome River’, or the driftwork of ‘Floating With You’.
Elsewhere on Permo, The Pastels’ Katrina Mitchell and Breakfast Muff’s Simone Wilson sing on ‘Be Free’ and ‘Running With The World’ respectively, plus the band have just welcomed new member Rachel Taylor. That’s a typically Spinning Coin development: a group fiercely engaged with community, welcoming new experience into their orbit, and looking for ways to move forwards with a warmth for humanity. It’s writ large across Permo – finding better ways to live, and to be together in the world, against the odds.
Spinning Coin are Sean Armstrong (vocals, guitar), Cal Donnelly (bass), Jack Mellin (vocals, guitar), Rachel Taylor (vocals, keyboards) and Chris White (drums).
Album tracklisting:
- Raining On Hope Street
- Tin
- Money For Breakfast
- Money Is A Drug
- Metronome River
- Magdalene
- Floating With You
- Be Free
- Sides
- Sleepless
- Powerful
- Starry Eyes
- Running With The World
- I Feel The Need To Be An Actor
Permo is available to pre order on limited-edition green coloured vinyl, standard vinyl, CD – all of which come with a booklet - and digital. Pre order: Dom Mart / Digital
Upcoming live dates
30th September – Tenement Trail @ Nice N Sleazy, Glasgow Tickets
21st October – Simple Things Festival @ The Sportsmans Bar, Bristol Tickets
29th October – Liverpool Music Week @ EBGBS, Liverpool Tickets
30th October – Old Blue Last, London Free
31st October – Heartbreakers, Southampton Tickets
1st November – Clwb Ifor Bach, Cardiff Tickets
2nd November – Picture House Social Club, Sheffield Tickets
3rd November – Think Tank? Underground, Newcastle w/ Girl Ray Tickets
4th November – Wharf Chambers, Leeds Tickets
5th November – Hare and Hounds, Birmingham w/ Girl Ray Tickets
6th November – The Cellar, Oxford w/ Girl Ray Tickets
7th November – The Louisiana, Bristol w/ Girl Ray Tickets
8th November – Green Door Store, Brighton w/ Girl Ray Tickets
9th November – Scala, London w/ Girl Ray Tickets
10th November – The White Hotel, Salford w/The Pastels Tickets
17th November – Mono, Glasgow (album launch) Tickets
10th December – The Art School, Glasgow w/ Dinosaur Jr. Sold out
11th December – The Art School, Glasgow w/ Dinosaur Jr. Tickets
SUPERORGANISM SIGN WORLDWIDE DEAL WITH DOMINO, RELEASE NEW SINGLE 'SOMETHING FOR YOUR M.I.N.D.'
Superorganism | 05/09/17
Occasionally, along comes a band that perfectly captures so much of what is exciting about music right now. In 2017, mining the golden moments of pop’s past, sights firmly set on the giddy possibilities of music’s future, emitting an infectious sense of wonky fun and producing a kaleidoscopic riot of sound and visuals, that band could well be Superorganism.
Superorganism is a sprawling, multi-limbed collection of international musicians and pop culture junkies. They number eight in total - recruited from London, Japan, Australia and New Zealand - seven of whom now live together in a house-stroke-DIY studio-stroke-band HQ in Homerton, east London.
It was in this house, in early 2017, that the collective had their musical Big Bang! moment. Though they’d previously created music and visuals together, this was something distinctly fresh. They sent the track to their friend Orono, a Japanese student who at that time was studying at high school in Maine, New England. Orono wrote and recorded a vocal part and pressed ‘reply’. What came back across the Atlantic was an intoxicating piece of idiosyncratic, technicolor pop. That track was ‘Something For Your M.I.N.D.’. Superorganism was born.
At that point it’s unlikely any of the members would have expected to hear that song - or Superorganism’s debut AA single ‘It’s All Good’ / ‘Nobody Cares’ - played by Frank Ocean or Vampire Weekend’s Ezra Koenig themselves on their respective radio shows. Or that the band’s identity would be the subject of so much speculation. Or that they would sign a deal with the legendary independent Domino label. Or that there’d be such demand to see Superorganism live that their debut UK show would take place at London’s 700 capacity Village Underground venue. But over the last few months, such is the trajectory of this unique band that that is exactly what has happened.
Today, following a huge amount of online chatter ‘Something For Your M.I.N.D.’ finally gets a full single release. The track will be available on all digital services, as well as a limited-edition, one-sided etched 7” with download card. It is their debut release on Domino.
DOWNLOAD or STREAM ‘Something For Your M.I.N.D.’
BUY the ‘Something For Your M.I.N.D.’ 7”
Speaking about the track, Superorganism’s Orono states:
"SFYM was created purely online. My buddies in London sent me the demo on Facebook, then I wrote the lyrics and recorded the vocals on Garageband via my Macbook microphone in about an hour or two... then it was pretty much done! We just had to add a couple of key missing ingredients to the mix: some sweet backing vocals, a sick artwork, Tucan's magical touch to make the track sound even more dope, and chemical X.
We're more than excited to bring this song to back to life (officially) and to let it, once again, fluoresce on the dark corners of the Internet."
Meanwhile, Superorganism is delighted to announce a run of live dates across the UK, Europe and US. Following a debut live show at Hamburg’s Reeperbahn Festival on 22nd September, they will play their first ever UK show at London’s Village Underground on 5th October. Dates across Europe follow before December sees Superoganism’s debut US shows – at Brooklyn’s House Of Yes on 12th December and Los Angeles’ Moroccan Lounge on 14th December.
Full dates below, with further information here.
22nd Sep Reeperbahn Festival, Hamburg, Germany
5th Oct Village Underground, London, UK
14th Oct Band On The Wall, Manchester, UK
21st Oct Primavera Club, Madrid, Spain
22nd Oct Primavera Club, Barcelona, Spain
28th Oct London Calling, Amsterdam, Netherlands
2nd Nov Beacons Metro, Leeds, UK (with Jungle)
17th Nov Sonic Visions Festival, Luxembourg
12th Dec House Of Yes, Brooklyn NY, USA
14th Dec The Moroccan Lounge, Los Angeles CA, USA
JOB OPPORTUNITY: UK RADIO PLUGGER
27/07/17

Domino seeks radio plugger
Domino is looking for a new radio plugger to join its in house promo team. The successful applicant will work within Domino’s current radio structure and will have an extensive knowledge of all aspects of UK radio. He or she will need established relationships at radio and a proven track record of working successful releases.
The ideal candidate will be articulate, persuasive, knowledgeable, sociable, a frequent gig goer and music lover.
Minimum 2 years appropriate experience. Salary dependent on experience.
Please send covering letter and CV to vacancy@dominorecordco.com before the 18th of August.
TRAILER TRASH TRACYS ANNOUNCE NEW ALBUM ALTHAEA, RELEASED 11TH AUGUST 2017
Trailer Trash Tracys | 12/06/17

Over the course of their lush, strange album “Althaea”, London duo Trailer Trash Tracys condense a number of disparate styles into music that thrillingly broaches the void between figuration and abstraction. While undeniably beautiful and quite often infectious in parts, this is certainly not pop music by any traditional definition; rather, it appeals to the more intuitive of mind and wild at heart. More than simply becoming a philosophical exercise however, the result is their most ambitious and idiosyncratic body of work to date, one which operates at the very limits of what pop music can be.
Their debut, “Ester”, released in 2012, manifested the band’s approach to making music as a fine balance between chaos and order, laying out a dense and dreamlike ecosystem of Sufi poetry, Solfeggio scales and, floating above it all, Susanne Aztoria’s otherworldly yet emotionally charged vocals. Early singles such as “Strangling Good Guys” and “You Wish You Were Red” proved to be outliers – rather than simply making lo-fi dream pop, the band were instead aiming for something far more subconscious and esoteric.
With “Althaea”, the band continue their investigations into the farther flung reaches of pop music, with stunning results. Spanning 10 deeply esoteric tracks, “Althaea” sees the band drift further afield from traditional song structures to create a new aural lexicon of their own, one as influenced by Filipino carnival music and Latin rhythms as it was by Japanese tropical music from the 80s. Even at their most outwardly pop – the pristine “Eden Machine” for instance, or the swooning “Kalesa”, there is a baroque splendour, and heightened sensuality. The interplay of light and dark, the foreign and the familiar, brings forth an album with manifold pleasures, one which rewards repeated listening and further exploration.
Watch the video for new single “Eden Machine” below aalongside the trailer for the short film of Althaea - as premiered last week at the Whirled Cinema in Brixton.
“Althaea” tracklisting:
01 Smoked Silver
02 Eden Machine
03 Gong Gardens
04 Siebenkäs
05 Money For Moondogs
06 Betty's Cavatina
07 Casadora
08 Singdrome
09 Kalesa
10 100 Aspects Of The Moon
Pre order: Domino Mart: http://smarturl.it/AlthaeaDM / Digital Pre-Order: http://smarturl.it/AlthaeaDL
UPCOMING LIVE DATES
MON 18-Sep-17 UK MANCHESTER SOUP KITCHEN
TUE 19-Sep-17 UK GLASGOW HUG & PINT
WED 20-Sep-17 UK NEWCASTLE THINK TANK
THU 21-Sep-17 UK LEEDS BRUDENELL GAMES ROOM
FRI 22-Sep-17 UK BIRMINGHAM ACTRESS & BISHOP
SAT 23-Sep-17 UK BRIGHTON THE HOPE
SUN 24-Sep-17 UK BRISTOL LOUISIANA
TUE 26-Sep-17 FR PARIS POINT EPHEMERE
SUN 01-Oct-17 NETHERLANDS ROTTERDAM V11
MON 02-Oct-17 NETHERLANDS AMSTERDAM U/S MELKWEG
TUE 03-Oct-17 BELGIUM ANTWERP TRIX BAR
WED 04-Oct-17 GERMANY COLOGNE BLUE SHELL
THU 05-Oct-17 GERMANY HAMBURG NOCHTWACHE
FRI 06-Oct-17 DENMARK DENMARK IDEAL BAR
SAT 07-Oct-17 GERMANY BERLIN AUSTER CLUB
MON 09-Oct-17 GERMANY MUNICH MILLA
TUE 10-Oct-17 AUSTRIA VIENNA CHELSEA
WED 18-Oct-17 UK LONDON CAMDEN ASSEMBLY
FRI 27-Oct-17 ITALY ROME MONK
SAT 28-Oct-17 ITALY BOLOGNA COVO
BRIGHT PHOEBUS – SONGS BY LAL AND MIKE WATERSON REMASTERED AND REISSUED BY DOMINO
Lal & Mike Waterson | 31/05/17

Bright Phoebus, Lal and Mike Waterson’s 1972 folk-noir masterpiece, has long been recognised as one of British music's legendary lost records. Following the parting of ways of The Watersons and freed from the strictures of folk orthodoxy, Lal and Mike Waterson’s love of words allowed them to serve the needs of their songs in ways that weren’t possible when singing already written songs.
Featuring performances from Lal, Mike and Norma Waterson, Martin Carthy, Richard Thompson, Ashley Hutchings, Dave Mattacks, Tim Hart and Maddy Prior, amongst others, the album is now recognised as a forward-thinking benchmark for the genre. Fans include Arcade Fire, Stephen Malkmus, Billy Bragg, Jarvis Cocker, Richard Hawley – the latter two performed the record themselves in 2013 on the Bright Phoebus Revisited tour.
Domino are pleased to reissue Bright Phoebus – Songs By Lal And Mike Waterson on 4th August, this will be the first time since its release the album will be widely available. Additionally under the supervision of David Suff (Topic/Fledg'ling) and Marry Waterson (daughter of Lal), the album has been remastered from the original tapes.
Alongside the reissue of the original album, there will be a deluxe version containing 12 demos for the album, themselves tinged with their own mythology and previously unreleased. The standard single-disc CD and LP editions replicate the original artwork with lyrics; the deluxe editions of both are double-disc and contain sleeve notes by Pete Paphides.
The origins of Bright Phoebus started in 1971, only a few years after the split of The Watersons whose three albums had a profound effect on the folk world. Following the split, and independently of each other, Mike and Lal had started writing their own songs; after Lal moved back to Hull; they started to cultivate these ideas together.
Not long after, Martin Carthy was visiting for a show, "We did Hull Art School or something, and then the next morning we went round to visit Lal, and she had all these songs. We sat there listening to them and… now, I knew Lal wrote songs but I had never heard any of them prior to this point. It was extraordinary.” Convinced that these songs needed to be heard by the wider world, Martin alerted Steeleye Span bandmate and former Fairport Convention bassist Ashley Hutchings to their existence. “I was instantly in tune with what I heard,” remembered Ashley, “I found an empathy with the songs, and I really would have fought off anyone to play bass on them.”
Ashley got to work; he contacted Bill Leader and set the whole thing up, along with Richard Thompson and Martin Carthy. All Lal and Mike Waterson had to do was allow themselves to be swept along by the collective will of everyone who had either heard or heard about their songs. And when, at the very end of 1971, it emerged that a homesick Norma Waterson would be returning to join them, the heavens looked to be aligning as never before.
Recorded in a week in the basement of Cecil Sharp House, Mike recalled “Lal and I dreamed our way through the recordings. It was magic.” Marry, who was eight at the time, remembered her father George describing the sessions as “a great big party”, people just wandered in. Tim Hart and Maddy Prior are on a few tracks because they happened to walk through the door, so they were lassoed in to do some vocals. One poor sod came in to deliver a package and we said, ‘Right! You’re in! And we stuck some words in front of him and put him in the chorus! He sang away, thank you very much, and then he left!’”
Despite the anticipation for a new ‘Watersons’ record, the release of Bright Phoebus was viewed with suspicion from the conservative folk community and shortly after, Bill Leader’s company went bankrupt and the initial pressing of 2000 LPS soon fell out of print. Since then, the album has become legend, its scarcity not hindering generations of music fans falling for its beguiling atmosphere. Sadly Lal – who passed away from lung cancer in 1998 - never got to see Bright Phoebus receive a full re-evaluation. Mike Waterson did, at least, get to enjoy some of backdated acclaim before his death in 2011. But he remained dogged in his belief that none of that mattered. “You do what you do,” he insisted. “And nothing is right to them, and everything’s right to you. Who are you making the record for? *You.* If fans like your record, then wonderful. If they don’t, well you’ve made it anyway. Because you love the songs.”
Tracklisting:
- Rubber Band
- The Scarecrow
- Fine Horseman
- Winifer Odd
- Danny Rose
- Child Among The Weeds
- Magical Man
- Never The Same
- To Make You Stay
- Shady Lady
- Red Wine Promises
- Bright Phoebus
Disc 2 – The 1971 Demos
- Danny Rose
- Fine Horseman
- Winifer Odd
- Child Among The Weeds
- Magical Man
- Bright Phoebus
- Red Wine Promises
- Song For Thirza
- The Scarecrow
- Never The Same
- One Of Those Days
- Jack Frost
THE KILLS ANNOUNCE ECHO HOME - NON-ELECTRIC EP IN CELEBRATION OF 15TH ANNIVERSARY
The Kills | 24/05/17

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The Kills – Alison Mosshart and Jamie Hince – will release the Echo Home – Non-Electric EP digitally on June 2nd, with a limited edition 10” vinyl release available for pre-order today.
Both the physical and digital versions of the Echo Home – Non-Electric EP will feature audio from a stripped down session the band captured recently at Electric Lady Studios in New York. Alongside “Echo Home”, the EP features Ash & Ice track “That Love”, a cover of Rihanna’s “Desperado” (which the band originally played as part of a Sirius XMU session), and the song “Wait”, off the band’s first ever release, Black Rooster EP, which celebrates it’s 15 year anniversary on May 28th.
The Black Rooster EP was originally released on Dim Mak in 2002 and was the start of what’s been an incredible career for Alison Mosshart and Jamie Hince of The Kills.
With five full-length albums (the most recent being 2016’s Ash & Ice), four EPs, a documentary, and countless live shows under their belt, the passion and fire they continue to bring to every recording and performance is extraordinary.
In their 15th year as a band, The Kills have been looking back and celebrating with a string of anniversary shows and retrospective features, and now this re-recording of “Wait”, one of the first Kills songs ever released. Steve Aoki, owner of Dim Mak and another artist who has proven a career with similar staying power, recently had some words to share on the release of Black Rooster:
"Many moons ago, back in 2002, I had to make a decision whether to pursue a Ph.D. Program or continue with my label Dim Mak & after hearing a demo from The Kills and becoming the first American label to release their EP Black Rooster, I knew what path I was going to choose. They took me under their wing and I hit the road with them as their tour manager, merch guy, driver (we all took turns) and label. I’ll never forget that and love Jamie and Alison forever. Thank you for believing in lil me when not many people gave two shits about Dim Mak and what we were doing. Ride or Die.” – STEVE AOKI
Pre-order the Echo Home 10” HERE.
The Kills 2017 Tour Dates:
05/27 Liverpool, UK - Liverpool Sound City
05/28 Margate, UK - Margate Wonderland
05/30 London, UK - Shepherds Bush Empire
06/02 Saint-Brieuc, France - Art Rock Festival
06/03 Saint-Laurent-De-Cuves, France - Papillons De Nuit Festival
06/06 Prague, Czech Republic - Roxy
06/07 Liepzig, Germany - Taubchenthal
06/09 Copenhagen, Denmark - Vega
06/10 Aarhus, Denmark - Northside Festival
06/13 Munich, Germany - Olympic Stadium *
06/16 London, UK - London Stadium *
06/17 London, UK - London Stadium *
06/24 Athens, Greece - Ejekt Festival
06/19 Helsinki, Finland - Rock The Beach #
06/21 Riga, Latvia - Lucavsala Island #
06/29 Gydnia, Poland - Open’er
07/02 Werchter, Belgium - Rock Werchter
07/07 Lisbon, Portugal - Nos Alive
07/10 Montreaux, Switzerland - Montreaux Jazz Festival
07/12 Dour, Belgium - Dour Festival
07/16 Berlin, Germany - Melt Festival
08/12 Bucharest, Romania - Summer Well Festival
08/15 Budapest, Hungary - Sziget Festival
08/17 Gampel, Switzerland - Open Air Gampel
08/19 Zagreb, Croatia - Tvornica Kulture
08/25 Charleville Mezières, France - Cabaret Vert
08/26 Paris, France - Rock En Seine
09/19 Porto Alegre, Brazil - Anfiteatro Parque (Outdoor) %
09/21 Rio, Brazil - Rock In Rio
09/23 Sao Paulo, Brazil - Allianz Parque %
* = with Guns ‘N’ Roses
# = with Foo Fighters
% = with Bon Jovi